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Myths' Valley

The house rules

Direction

What the game chose to be and what it refuses. Each area below gathers the principles, the practical rules and the examples drawn from the direction documents of both games.

The identity palette

Gold
#e8c46a
Cream
#f6ead0
Cobalt
#1d3f8f
Lacquer
#13201a
Carving
#9b692b
Paper
#efe5cf

CINZEL for actions and titles · Cormorant Garamond for body text.

In the game · SETTINGS › Interface

The valley's cursor

Six sets and one rule: the arrow points and the hand with the index finger clicks. Hover over each one to try it.
Classic The game's first cursor.
Polished gold default Carved gold, thin and easy to read.
Tile White with cobalt lines, like the church tiles.
Carved with cuff A golden hand with a lace cuff.
Parchment Sepia ink on paper.
Lantern light Glowing amber that stands out at night.

7 areas

Choose where to begin

10 principles · 11 rules Visual direction The frame is gold, the background is the real valley, and nothing adorns what is already beautiful. 10 principles · 9 rules 3D art and the Tripo workflow Everything with identity is born in Tripo Studio; what's heavy is the raw HD, and it never goes into the game. 10 principles · 9 rules World direction The KML provides the land; the author composes the valley on top of it, and the valley lives by the hour and by the tide. 8 principles · 6 rules Sound direction Each place has its layer, each person has their voice, and the player controls the volume. 10 principles · 7 rules Historical and narrative direction Bom Jesus dos Pobres in 1887 is a fishing village on the eve of Abolition — and anyone from the Recôncavo has to recognize the place. 10 principles · 9 rules Technical direction Rules separate from presentation, names instead of coordinates, and nothing gets in without a gate. 9 principles · 8 rules Project decisions Finish a small experience end to end before expanding — and log every change with its impact on the schedule.