Type
Myths’ Valley
Bom Jesus dos Pobres, 1887
Cinzel for titles, in small caps; Cormorant Garamond for body text and italic captions.
Bahia/Brazil, 1887
Tripothon Demo Day · São Paulo · Oct 11
One piece for each print service, in the altarpiece identity: versions with the project’s art and versions painted by the AI.
The altarpiece on paper
Myths’ Valley
Bom Jesus dos Pobres, 1887
Cinzel for titles, in small caps; Cormorant Garamond for body text and italic captions.
Dark green lacquer, old gold and paper cream, like the church’s carved woodwork.
Each piece says where its image comes from: the game, the AI or both.
Gold fillets, carved corner pieces and the compass rose. Coated 300 gsm for cards, 150–170 gsm for prints and bookwove for booklets.
How the files go to the print shop
Final size plus 3 mm per side; 5 mm on the roll-up.
Outside the bleed, with the job label in the margin: piece, size, bleed and page.
Cinzel and Cormorant Garamond embedded in every PDF.
Files in RGB; the shop handles the CMYK conversion.
Pages in front, back, front, back order.
Single pages in reading order, total a multiple of 4.
2 pieces
210×297 mm · bleed 3 mm · 1 pp.
One page for the press, with fact sheet and QR.
2 pieces
297×210 mm · bleed 3 mm · 13 pp.
Twelve paintings from the game, one per month, with the holidays.
297×210 mm · bleed 3 mm · 13 pp.
Twelve scenes of the year in the village painted by the AI in gouache, one per month.
3 pieces
63×88 mm · bleed 3 mm · 48 pp.
24 cards: painted portrait on the front, Tripo 3D model on the back (48 pages).
2 pieces
220×110 mm · bleed 3 mm · 1 pp.
220×110 mm with a lacquer band and sender.
210×297 mm · bleed 3 mm · 1 pp.
A4 with header, footer and the compass rose as a watermark.
8 pieces
148×210 mm · bleed 3 mm · 8 pp.
“Pedro’s Gift”: 12 sestets and the valley’s 10 chapbooks.
297×210 mm · bleed 0 mm · 4 pp.
Imposed to print at home, double-sided, and fold (no marks or bleed).
3 pieces
1 piece
210×297 mm · bleed 3 mm · 2 pp.
An 1887 newspaper: the heir’s arrival, the Matinta, pier notes, ads and the week’s cordel.
2 pieces
594×420 mm · bleed 3 mm · 1 pp.
The real map of Bom Jesus dos Pobres in A2, with cartouche, compass rose and legend.
594×420 mm · bleed 3 mm · 1 pp.
The same map redrawn by the AI as an 1887 chart, with soundings and cartouche.
1 piece
148×210 mm · bleed 3 mm · 1 pp.
The healer’s A5 pad, with Rx and lines.
1 piece
148×210 mm · bleed 3 mm · 24 pp.
24 A5 pages with 181 renders of the game’s GLB files, by family.
3 pieces
220×310 mm · bleed 3 mm · 2 pp.
Valley cover with gold fillets; lacquer back with QR. The pocket uses the shop’s standard die.
220×310 mm · bleed 3 mm · 2 pp.
Tile panel painted by the AI, with nothing over it; lacquer back with QR.
1 piece
148×210 mm · bleed 3 mm · 20 pp.
20-page A5 book: trees, animals, gravestones, signs and cordels from the game.
1 piece
50×180 mm · bleed 3 mm · 8 pp.
Four designs: two game paintings and two by the AI; back with stanzas from the cordel.
1 piece
90×50 mm · bleed 3 mm · 1 pp.
Only the logo in 100% black, in the exact position on the painting card, for gold foil or varnish.
1 piece
210×297 mm · bleed 3 mm · 2 pp.
The class of 1887 in portraits and, on page 2, how they look in 3D.
4 pieces
50×50 mm · bleed 3 mm · 4 pp.
Four designs, Ø 50 mm. The cutting guide only shows the circle and is not printed.
50×90 mm · bleed 3 mm · 8 pp.
Four designs: two woodcuts from the game and two AI paintings; “to / from” back.
90×120 mm · bleed 3 mm · 1 pp.
Typographic, with the portrait and gold fillets.
90×120 mm · bleed 3 mm · 1 pp.
An 1880 label composed entirely by the AI, lettering included.
2 pieces
150×100 mm · bleed 3 mm · 8 pp.
Four paintings from the game with a postcard back.
150×100 mm · bleed 3 mm · 8 pp.
Watercolor, oil, gouache and tile painted by the AI; postcard back.
1 piece
210×297 mm · bleed 3 mm · 4 pp.
Four pages for the jury: deliverables, sourced numbers and criteria.
1 piece
297×210 mm · bleed 3 mm · 20 pp.
Landscape A4 photo book with 36 captioned paintings and screenshots.
1 piece
170×150 mm · bleed 3 mm · 2 pp.
66×91×10 mm box laid flat; page 2 is the die (magenta cuts, dashed cyan creases).
2 pieces
4 pieces
297×420 mm · bleed 3 mm · 1 pp.
An 1880 travel poster composed entirely by the AI, lettering included.
297×420 mm · bleed 3 mm · 1 pp.
Valley cover, title, the Tripo cast and QR.
80×200 cm · bleed 5 mm · 1 pp.
80×200 cm at full size, with the vertical painting made for the event.
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